E major · Modal interchange
Borrowed chords in E major








From E Lydian
E Lydian shares 6 of its 7 notes with E major. One note apart, so these chords sound like a gentle shift of colour.
- vii
Outside the key:
- vii7
Outside the key:
- II
Outside the key:
- II7
Outside the key:
Outside the key:
Outside the key:
- Bmaj7Vmaj7
Outside the key:
From E Mixolydian
E Mixolydian shares 6 of its 7 notes with E major. One note apart, so these chords sound like a gentle shift of colour.
- D
Outside the key: D
- Dmaj7
Outside the key: D
- E7I7
Outside the key: D
- iii°
Outside the key: D
- iiiø7
Outside the key: D
- Bmv
Outside the key: D
- Bm7v7
Outside the key: D
From E Dorian
E Dorian shares 5 of its 7 notes with E major. Two notes apart: a clear change of colour without leaving home.
- vi°
Outside the key: G
- viø7
Outside the key: G
- Emi
E G B
Outside the key: G
- Em7i7
E G B D
Outside the key: G D
- G
G B D
Outside the key: G D
- Gmaj7
Outside the key: G D
- A7IV7
Outside the key: G
From E Aeolian
E Aeolian shares 4 of its 7 notes with E major. Further away, so these chords sound darker or stranger against the key.
- C
C E G
Outside the key: C G
- Cmaj7
C E G B
Outside the key: C G
- D7
Outside the key: D C
- ii°
Outside the key: C
- iiø7
Outside the key: C
- Amiv
A C E
Outside the key: C
- Am7iv7
A C E G
Outside the key: C G
From E Phrygian
E Phrygian shares 3 of its 7 notes with E major. Further away, so these chords sound darker or stranger against the key.
- Dm
D F A
Outside the key: D F
- Dm7
D F A C
Outside the key: D F C
- F
F A C
Outside the key: F C
- Fmaj7
F A C E
Outside the key: F C
- G7
G B D F
Outside the key: G D F
- B°v°
B D F
Outside the key: D F
- vø7
B D F A
Outside the key: D F
From E Harmonic Major
E Harmonic Major shares 6 of its 7 notes with E major. One note apart, so these chords sound like a gentle shift of colour.
- C+
Outside the key: C
Outside the key: C
- vii°7
Outside the key: C
- AmMaj7ivmaj7
Outside the key: C
From E Melodic Minor
E Melodic Minor shares 6 of its 7 notes with E major. One note apart, so these chords sound like a gentle shift of colour.
- EmMaj7imaj7
Outside the key: G
- G+
Outside the key: G
Outside the key: G
How borrowed chords sound
A borrowed chord keeps the tonic and changes the colour. The note it brings in is a note of the parallel scale, so the ear hears the same home with a different light on it. The minor iv and the flat VI are the classic examples: the moment a major key turns wistful without going anywhere.
In the app, section 2 teaches modal mixture: naming borrowed chords, hearing the borrowed colour, and where mixture sits on the tonic, subdominant and dominant axis.