D major · Modal interchange
Borrowed chords in D major








From D Lydian
D Lydian shares 6 of its 7 notes with D major. One note apart, so these chords sound like a gentle shift of colour.
- vii
Outside the key:
- vii7
Outside the key:
- EII
Outside the key:
- E7II7
Outside the key:
Outside the key:
Outside the key:
- Amaj7Vmaj7
Outside the key:
From D Mixolydian
D Mixolydian shares 6 of its 7 notes with D major. One note apart, so these chords sound like a gentle shift of colour.
- C
C E G
Outside the key: C
- Cmaj7
C E G B
Outside the key: C
- D7I7
Outside the key: C
- iii°
Outside the key: C
- iiiø7
Outside the key: C
- Amv
A C E
Outside the key: C
- Am7v7
A C E G
Outside the key: C
From D Dorian
D Dorian shares 5 of its 7 notes with D major. Two notes apart: a clear change of colour without leaving home.
- Dmi
D F A
Outside the key: F
- Dm7i7
D F A C
Outside the key: F C
- F
F A C
Outside the key: F C
- Fmaj7
F A C E
Outside the key: F C
- G7IV7
G B D F
Outside the key: F
- B°vi°
B D F
Outside the key: F
- viø7
B D F A
Outside the key: F
From D Aeolian
D Aeolian shares 4 of its 7 notes with D major. Further away, so these chords sound darker or stranger against the key.
- C7
Outside the key:
- E°ii°
Outside the key:
- iiø7
Outside the key:
- Gmiv
Outside the key:
- Gm7iv7
Outside the key:
Outside the key:
Outside the key:
From D Phrygian
D Phrygian shares 3 of its 7 notes with D major. Further away, so these chords sound darker or stranger against the key.
- Cm
Outside the key:
- Cm7
Outside the key:
Outside the key:
Outside the key:
- F7
Outside the key:
- A°v°
Outside the key:
- vø7
Outside the key:
From D Harmonic Major
D Harmonic Major shares 6 of its 7 notes with D major. One note apart, so these chords sound like a gentle shift of colour.
- vii°7
Outside the key:
- GmMaj7ivmaj7
Outside the key:
Outside the key:
Outside the key:
From D Melodic Minor
D Melodic Minor shares 6 of its 7 notes with D major. One note apart, so these chords sound like a gentle shift of colour.
- DmMaj7imaj7
Outside the key: F
- F+
Outside the key: F
Outside the key: F
How borrowed chords sound
A borrowed chord keeps the tonic and changes the colour. The note it brings in is a note of the parallel scale, so the ear hears the same home with a different light on it. The minor iv and the flat VI are the classic examples: the moment a major key turns wistful without going anywhere.
In the app, section 2 teaches modal mixture: naming borrowed chords, hearing the borrowed colour, and where mixture sits on the tonic, subdominant and dominant axis.