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B major · Modal interchange

Borrowed chords in B major

A borrowed chord comes from a scale that shares B major's tonic but not all of its notes. Across the seven parallel scales close enough to borrow from, there are 42 chords to borrow. The ones heard most come from B minor: Em and G.

From B Lydian

B Lydian shares 6 of its 7 notes with B major. One note apart, so these chords sound like a gentle shift of colour.

  • II

    Outside the key:

  • II7

    Outside the key:

  • Outside the key:

  • Outside the key:

  • Vmaj7

    Outside the key:

  • vii

    Outside the key:

  • vii7

    Outside the key:

From B Mixolydian

B Mixolydian shares 6 of its 7 notes with B major. One note apart, so these chords sound like a gentle shift of colour.

  • iii°

    Outside the key: A

  • iiiø7

    Outside the key: A

  • v

    Outside the key: A

  • v7

    Outside the key: A

  • A

    Outside the key: A

  • Amaj7

    Outside the key: A

  • B7I7

    Outside the key: A

From B Dorian

B Dorian shares 5 of its 7 notes with B major. Two notes apart: a clear change of colour without leaving home.

  • D

    Outside the key: D A

  • Dmaj7

    Outside the key: D A

  • E7IV7

    Outside the key: D

  • vi°

    Outside the key: D

  • viø7

    Outside the key: D

  • Bmi

    Outside the key: D

  • Bm7i7

    Outside the key: D A

From B Aeolian

B Aeolian shares 4 of its 7 notes with B major. Further away, so these chords sound darker or stranger against the key.

  • ii°

    Outside the key: G

  • iiø7

    Outside the key: G

  • Emiv

    E G B

    Outside the key: G

  • Em7iv7

    E G B D

    Outside the key: G D

  • G

    G B D

    Outside the key: G D

  • Gmaj7

    Outside the key: G D

  • A7

    Outside the key: A G

From B Phrygian

B Phrygian shares 3 of its 7 notes with B major. Further away, so these chords sound darker or stranger against the key.

  • C

    C E G

    Outside the key: C G

  • Cmaj7

    C E G B

    Outside the key: C G

  • D7

    Outside the key: D A C

  • v°

    Outside the key: A C

  • vø7

    Outside the key: A C

  • Am

    A C E

    Outside the key: A C

  • Am7

    A C E G

    Outside the key: A C G

From B Harmonic Major

B Harmonic Major shares 6 of its 7 notes with B major. One note apart, so these chords sound like a gentle shift of colour.

  • EmMaj7ivmaj7

    Outside the key: G

  • G+

    Outside the key: G

  • Outside the key: G

  • vii°7

    Outside the key: G

From B Melodic Minor

B Melodic Minor shares 6 of its 7 notes with B major. One note apart, so these chords sound like a gentle shift of colour.

  • D+

    Outside the key: D

  • Outside the key: D

  • BmMaj7imaj7

    Outside the key: D

How borrowed chords sound

A borrowed chord keeps the tonic and changes the colour. The note it brings in is a note of the parallel scale, so the ear hears the same home with a different light on it. The minor iv and the flat VI are the classic examples: the moment a major key turns wistful without going anywhere.

In the app, section 2 teaches modal mixture: naming borrowed chords, hearing the borrowed colour, and where mixture sits on the tonic, subdominant and dominant axis.

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